The book is well plotted, although I did guess the basics of the solution early on. I'm not sure I believe that the bad guys would resort to this level of violence, but hey, the story has to have stakes and clock-beating action.
Scottoline avoids the most annoying tics that often mar the genre, like twists that depend on non-communication between characters. However, the dialogue does tend toward blocks of exposition rather than natural speech, and characters do form lifelong bonds of friendship or enmity based on a single encounter.
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