Each piece is a pleasant profile, and most have an interesting insight or two, but they lack a clear point or point of view. "I Saw the Light," about Bob Dylan, is emblematic. Ross describes the scene at contemporary (circa 1999) Bob Dylan shows, provides a potted history of his career, and quotes a few Dylanologists. Then he notes that "Dylan is seldom talked about in musical terms. His work is analyzed instead as poetry, punditry, or mystification." Ross spends a page analyzing Dylan's musical approach, then returns to the pablum. In my opinion, he squandered his unique angle.
I found Ross to be at his best when describing the day-to-day life of classical musicians: touring with a string quartet, searching for a conductor with an orchestra's board of directors, attending a summer camp "finishing school for gifted young performers."
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