Tuesday, September 26, 2023

Naomi Klein, Doppelganger *** 1/2

Naomi Klein is a journalist and author who writes books of cultural criticism on subjects such as climate change, globalization, and predatory capitalism. Naomi Wolf is a journalist and author who writes books of cultural criticism primarily about feminism. Due to their similar names, ages, and professions, the two Naomi's are frequently mistaken for each other. This confusion bothers Naomi Klein because "the Other Naomi" has become a prominent purveyor of conspiracy theories and frequent guest on Steve Bannon's podcast. People often attribute Wolf's problematic views to Klein.

In this book, Klein thinks about how she and Wolf ended up in such different places after similar early careers. Her investigation gets her thinking about what she calls "the Mirror World" where hard-right commentators ape the vocabulary and rhetoric of the left to diametrically opposed ends. She argues that our entire society has a doppelganger, a double that arises from the problems that we ignore or suppress.

Klein travels far afield, with chapters about COVID conspiracy theories, anti-vaccination crusades, anti-Semitism, climate change, capitalism, and colonialism. The common thread of right vs left discourse on these subjects is that the right favors individualistic explanations while the left favors systemic explanations; for example, manipulation by a shadowy cabal of billionaires vs manipulation by the capitalistic system. Her "hopeful" conclusion is appropriately leftist (i.e. systemic):

We live in a society that encourages and rewards the uncaring parts of ourselves... If we want more people to make better choices...we need better structures and systems.

Her idea reminded me of a book I read many years ago called Crimes of Obedience: Toward a Social Psychology of Authority and Responsibility. The authors of that book investigated situations where a person had to decide whether to obey authority that asked them to do bad things: the My Lai massacre, Watergate, Iran-Contra, and more mundane tasks at work. Like Klein, they concluded that we needed better systems to support making moral decisions.

Klein sometimes seems to get off track, but she made several arguments that I found compelling: that our doubles represent an irruption of issues we have suppressed, that conservatives and wellness advocates share concerns about purity and perfectability, that our visceral reaction to the Final Solution derives from a recognition of the (suppressed) fact that European colonizers treated native populations similarly, that we can adjust our institutions to promote the common good rather than ruthless advancement. She alternates between sounding naive and despairing, as befits a doppelganger.

Tuesday, September 5, 2023

Louise Erdrich, The Sentence ***

The Sentence has a modest amount of plot, but the pleasures of the book have little to do with the story. The narrator works at an independent bookstore in Minneapolis that is owned and staffed by Indigenous women––just like the real-life Birchbark Books owned by the author. I enjoyed the camaraderie among the staff and the descriptions of everyday customer interactions (including book recommendations!). 

On All Saints Day 2019, they learn that their most annoying customer has died but she continues to haunt the store. A few months later, COVID-19 strikes followed by the killing of George Floyd. The characters react to these events in ways that are subtly but unmistakably Indigenous. It's those shadings that give the story its meaning and interest.

Friday, September 1, 2023

David Hajdu, Lush Life ****

Lush Life is a biography of the composer, arranger, and pianist Billy Strayhorn. Strayhorn is best known for his collaboration with Duke Ellington. He wrote Ellington's signature piece "Take the 'A' Train" among other classics such as "Satin Doll, " "Chelsea Bridge," and "Lush Life." As impressive as his list of songs is, it severely understates his contributions. He co-wrote many pieces credited to Ellington alone and arranged nearly all of the Ellington Orchestra charts.

Strayhorn purposely kept himself out of the limelight because it enabled him to live his life as he wanted. He was gay, which would have been a problem if he was a public figure like Ellington. He was a bon vivant well respected and liked among musicians and the black cultural elite of the time. He died young, age 51, of esophageal cancer.

Hadju's main goal is to give Strayhorn the recognition that he deserves. The cult of Duke Ellington tends to efface Strayhorn's contributions lest they undermine the case for Ellington's genuis. Ellington himself  always acknowledged the depth of their partnership when asked, but didn't raise objections when a profile (or song copyright) neglected to mention Strayhorn.

Lush Life is an enjoyable and well-written biography. Hadju conveys the characters of Strayhorn and Ellington effectively without resorting to imaginative psychologizing. He chooses apt quotes from supporting characters, giving us a sense of their personalities too. He covers Strayhorn's many projects without bogging down in exhausting details about recording dates and set lists. 

For your listening pleasure, I recommend the CD released with this biography and Duke Ellington's tribute album ...And His Mother Called Him Bill.